Bleachers could share a bill with Modern English, Omd, Oingo Boingo, The Cult, The Cure, and New Order. Squiggly guitar riffs crash into each other, layered vocals soar over synths, and it feels like a dance party could break out on the street where you live at any moment. Even though Antonoff wasn’t born until 1984, “Strange Desire” is so awash in ‘80s sounds, from big, echo-y drums, to funky, jangly guitars, that it’s almost possible to take each song and come up with its ‘80s analog. On “Strange Desire,” the debut album from his side project, Bleachers,” out Tuesday (15), he gets to indulge his quirkier side, and sing lead. “Ryan and his collaborators made instruments for the film, and he had the beautiful idea after watching an early cut to use objects that exist within the space of the scenes and create instruments based onĪlbum Review: Fun.'s Jack Antonoff travels back to the '80s for Bleachers' 'Strange Desire'Īs one-third of fun., Jack Antonoff gets to explore many facets of his pop sensibilities. “I think the most exciting thing for me was working on the score with the composer Son Lux aka Ryan Lott,” director Ned Benson said in a statement. The soundtrack also features songs by Cat Power, Elliphant, Amason, Roxxpin, and the classic cut “So In Love” by Orchestral Manoeuvres in the Dark. Son Lux scored the movie, and he’s represented here with the original track “No Fate Awaits Me,” performed by the composer with Faux Fix.
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It’s a little bit after the fact, as the movie already hit theaters, but Lakeshore Records will release The Disappearance of Eleanor Rigby – Original Motion Picture Soundtrack digitally on October 28th and on CD, November 18th. 'The Disappearance Of Eleanor Rigby' Soundtrack Features Cat Power, Son Lux, Pink Skull & More It's beautiful stuff, and with the soundtrack rounded out by tunes from Orchestral Manoeuvres In The Dark, Paul McCartney, Suicide, Read More: Watch: First Clip from Noah Baumbach's ' Mistress America' With Lola Kirke & Greta Gerwig Today we have an exclusive listen at three tracks from Wareham and Phillips score for the the film: the titular theme song, "Tracy & Tony," and "Tracy In New York." And the trio of tunes put the duo's trademark dream synths up front, bringing a vibrant energy to backdrop Baumbach's New York City tale.
And " Mistress America" (read our review) marks the second time the duo have been tasked with scoring a Baumbach picture, and they rise to the challenge. Jealousy," while contributing songs and music across many of his films since. Their former band Luna co-scored the director's " Mr. by Drew Mackie, Wareham and Britta Phillips have been longtime musical collaborators with Noah Baumbach.
Hughes wrote the role of Andie Walsh for Ringwald, but even though she'd starred in hisģ0 Things You Might Not Know About Pretty in Pink, 30 Years Later In honor of the film turning the big three-0, here are 15 surprising facts about the best movie ever named after a Psychedelic Furs song. Yeah, it's a stretch, but it's just one of many interpretations to spin out of this Hughes classic. Maybe we need to think of the John Hughes-scripted film as Gen X's own "Casablanca." The ending makes more sense if you think of Duckie ( Jon Cryer) as Humphrey Bogart, letting the woman he loves ( Molly Ringwald's Andie) go off with the dull-but-decent guy ( Andrew McCarthy's Blane) because he's finally admitted to himself that he's a chivalrous romantic who values her happiness above his own. Thirty years have passed since the release of " Pretty in Pink" (on February 28, 1986), and yet we're still bewildered by the teen romance's climax.
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